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indoors
  • Author

    Peter Wood

  • Photography

    Francis Sicat

    Wes Neinaber

A few steps from the movement and momentum of Bondi Junction, down a quiet lane that most people would never think to explore, rises a piece of architecture that feels borrowed from another part of Sydney altogether.

Steel, timber and glass sit beneath soaring barrel-vaulted ceilings. Skylights draw daylight deep into the interior. Rooms dissolve into one another. Boundaries blur.

It is industrial without feeling hard. Open without sacrificing privacy. A warehouse-inspired home designed not around convention, but around possibility.

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The work of acclaimed architect Allan Dukes, the residence remains remarkably faithful to its original vision. More than 20 years after moving in, owner Paul Zisson still struggles to think of anything fundamental he would change.

“I've been here that long without needing to make any structural changes,” Paul says. “The design, the quality of the finishes and the versatile layout were fresh when I bought it, and they've stood the test of time.”

When he first encountered the home, it felt like an anomaly.

“I love unique design and sustainable architecture,” he says. “Being close to the beach and major shops and services was equally important. It was a bit of a double whammy because this industrial style isn't typically what you find in Bondi Junction. It felt more like something you'd expect in the inner city.”

The property slipped away initially, only to return six months later.

“It was meant for me,” he says.

living room

That sense of serendipity lingers everywhere. Nothing feels formulaic. Volumes expand unexpectedly. Light arrives from surprising directions. The north-facing orientation animates the interiors from morning through afternoon, while carefully positioned openings create a constant sense of airflow.

Rather than relying on a sequence of enclosed rooms, the house embraces openness. Living, working and retreating happen across interconnected spaces that can adapt as life evolves.

Over two decades, Paul has tested almost every configuration imaginable.

“I've moved bedrooms and office spaces around over the years,” he says. “I think I've now got it where it works best for my mobile home-office lifestyle, with lots of penetrating light from the northern aspects.”

Nowhere is that adaptability more evident than in the mezzanine level. Positioned between the main living zone and the upper floor, it occupies a curious middle ground - neither entirely public nor entirely private.

“The original owners actually slept there,” Paul says. “For me, it wasn't right as a bedroom, so initially it became storage. Then I realised I was missing out on the beautiful curved roof and skylight.”

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What followed was a reimagining of the space as a dedicated home office.

“The feng shui was perfect,” he says. “Lots of light, northerly views, natural air conditioning and enough separation that it never felt like I was working in my bedroom. It became an office with its own identity.”

That relationship between architecture and lifestyle has become increasingly important in recent years. Paul operates a travel design business from home and spends much of his life thinking about movement, destinations and discovery.

A large world map hangs within the office, marked with destinations visited and future adventures imagined.

“I love travel with a passion,” he says. “My bookshelves are filled with travel guides because I'm much more of a visual experience person than a reader.”

Yet despite extensive time spent abroad, there remains a familiar moment of anticipation whenever Sydney appears beneath the aircraft window.

“I never get sick of flying over Sydney Harbour and the coastline and looking down at Bondi Beach,” Paul says. “I love telling people I live in world-famous Bondi.”

interior design

Outside, the courtyard plays a significant role in the home's atmosphere. Facing north and protected from its surroundings, it functions less as a backyard and more as a private sanctuary. And the sense of seclusion extends beyond the property boundary.

“It is very quiet, safe and private,” Paul says. “Because you're in a laneway, you don't get traffic noise or people looking in. The neighbours are friendly but not intrusive.

Meanwhile, Bondi Junction continues to provide the convenience that first attracted him two decades ago.

“It really is the centre of my daily universe,” he says. “Fitness, shops, eateries, parks and transport are all here. There's rarely a need to go into the CBD, plus it’s about a 20 minute walk down Bondi Road to the beach.”

Last summer, the house underwent a comprehensive cosmetic refresh, carefully updating finishes while preserving the integrity of the original architecture.

“I never wanted to tamper with the original design,” he says. “I've always appreciated Allan Dukes' vision and the use of sustainable, natural materials.”

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There is an optimism the next owner might approach the property with the same sense of respect.

“I hope they continue to appreciate its uniqueness,” he says. “There are practical adjustments that could be made, but the essence of the house should remain.

“It's for somebody who appreciates design. Someone creative, active and willing to embrace something a little different.”

He pauses before delivering a final warning.

“The house is very liberating,” he says. “It will absolutely wow your guests. So enter with caution - it may be too sexy for some.”

View the listing: 2 Woodstock Lane, Bondi Junction

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