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  • Author

    Peter Wood

  • Photography

    James Green

    Wes Neinaber

For Studio Carson Kelly, architecture has never been about designing buildings in isolation.

Every project begins with people - their routines, relationships and aspirations - and the belief that the best homes emerge when architecture and interiors are conceived as one complete story.

Led by Klaus and Nicholas of Studio Carson Kelly, the Sydney-based practice approaches each commission holistically, guiding projects from the earliest concept through to the final built detail.

That thinking sits at the heart of the studio’s philosophy: connecting people to place.

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It begins by bringing clients into the process itself, allowing ideas to evolve together rather than presenting a singular solution.

“Taking clients on the journey means they understand more about the solution we arrive at,” Klaus says. “It strengthens their connection to their own home and gives them a sense of ownership throughout the process.”

Nicholas sees it as equally important to understand the site itself - the landscape, the neighbourhood and the life that already exists there.

“We spend a lot of time getting to know our clients, their families and the site,” he says. “In the end, we want to create something that feels personal to the family, but also like it truly belongs where it stands.”

One project in particular embodies that approach.

‘Longview’ was once dilapidated Victorian terrace layered with additions from different eras, suffered from poor planning, limited natural light and persistent water issues. Yet beneath those challenges lay enormous potential. Positioned on an elevated corner site, it offered glimpses towards Parramatta River and a relationship to its setting that had never been fully realised.

“What was striking about the site was its corner location,” says Klaus. “The street wrapped around it and fell away to the north-east. There were these beautiful vignettes to the harbour, but they were all somehow compromised. There was an opportunity to rethink the house entirely.”

Rather than simply extending the home, the studio reworked its internal organisation. One key move became transformative: relocating the staircase to the centre of the plan.

“The original staircase was removed and reoriented into the middle of the home,” Klaus explains. “That allowed us to bring northern and eastern light deep into the centre of the plan. Previously, the kitchen was hidden away in a dark corner. Suddenly, it became connected to light, landscape and views.”

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As a result, light itself became a considered ‘material’ throughout the project.

“So much of the work was about bringing light in without it feeling harsh,” says Nicholas. “Whether through deep skylights, courtyards or carefully positioned windows, we wanted light that felt soft and diffused. The experience of the home changes through the day, but it never overheats or feels exposed.”

Finding balance in the home’s natural liveability created relationships that extended well beyond the project itself.

“Trust is probably the most important element of design,” says Klaus. “The end result feels deeply personal to the client, but also modest and humble in how it’s experienced. We only arrived there because they trusted us completely.”

“When we first met, we spent time with the family here on site, including their two young boys,” says Nicholas. “Over time, what began as a professional relationship evolved into a genuine friendship. That’s a very special thing.”

Perhaps that’s the project’s greatest success, a true measure of architecture, the sentimentality that goes beyond what’s visible.

As Klaus puts it: “The strongest homes aren’t just designed. They’re understood.”

For more information and projects by Studio Carson Kelly, visit www.studiocarsonkelly.com.

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